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Louise Hearman
Louise Hearman (born 1963) is an artist from Melbourne who has been painting and drawing from a very young age. She attended Victorian College of the Arts from 1982-1984. She mostly paints with oil on masonite, though she does work with pastel and charcoal from time to time.
She first came to public notice in 1986 when she spent a year painting a mural on the inside of the concrete dome of the old gymnasium at the Missions to Seamen building in Flinders Street in Melbourne. The premises also served as her studio at that time.〔The Age, 1 January 1988〕
In 1991 her work was exhibited at Australian National University's Drill Hall Gallery in a solo show, "The corpreal body", whilst in 1993 she was chosen by the curators for that year's Australia Perspecta exhibition. Her work next gained recognition through an appearance on the short-list for the 1999 Contempora 5 award, whilst in both 2000 and 2005 she was exhibited at the National Gallery of Australia; in 2000 appearing in the "Uncommon World; Aspects of Contemporary Australian Art" exhibition which ran from 15 July until 22 Oct; and in 2005 within the〔Anna King Murdoch, "The bearable lightness of being Louise Hearman, dark visionary",The Age 10/9/1999〕 "Big Spooks" exhibition. In 2007 her piece ''Untitled #1158'' was chosen for exhibition as part of the city of Sydney's Open Gallery exhibition, which described the roster of artists chosen as representing "leading Australian and international artists".〔(HEARMAN, Louise ) (catalogue search), printsandprintmaking.gov.au. Accessed 2007-10-09.〕〔(Uncommon World ); National Gallery of Australia (google cache). Accessed 2007-10-09〕〔(Big spooks ); National Gallery of Australia. Accessed 2007-10-09〕〔City of Sydney, (Open Gallery ); 2007-09-24. Accessed 2007-10-09〕
==Artistic work==
Hearman’s works are characterised by surreal juxtapositions, eerie light, and strong emotive emphasis. There are recurring themes of floating heads (both of the human and animal kind), sleek aeroplanes, floral close-ups, and limitless roads. Hearman is particularly vague about the meanings of her works, preferring to let the viewers make their own interpretations. This is why she leaves all her works untitled.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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